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Andy Irvine/Paul Brady
Andy Irvine, a classical guitar student of Julian Bream, discovered […]
- by Stephen Estep
- Aug 19th, 2022

Electric Light Orchestra: Eldorado
Eldorado takes its title from the mythical Seven Cities of […]
- by Greg Cahill
- Aug 12th, 2022

The Duke Robillard Band: They Called It Rhythm & Blues
Exactly where does one begin enumerating the many virtues of […]
- by David McGee
- Aug 09th, 2022

John Lee Hooker: Don’t Turn Me from Your Door
It’s easy to imagine that, if that essential American music […]
- by Duck Baker
- Aug 03rd, 2022

Various Artists: Harold & Maude Soundtrack: 50th Anniversary Edition
The 1971 cult-classic Harold & Maude portrayed the December/May romance […]
- by Greg Cahill
- Aug 02nd, 2022

Memphissippi Sounds: Welcome to the Land
Steeped in hill country blues history though they may be, […]
- by David McGee
- Jul 26th, 2022

Tinsley Ellis: Devil May Care
Count Tinsley Ellis among those artists who benefitted, so to […]
- by David McGee
- Jul 22nd, 2022

Pivotal Concerts from Joni Mitchell and Bruce Springsteen
In 1969, Joni Mitchell was well known as a lady […]
- by Alan Taffel
- Jul 22nd, 2022

Cat Power: Covers
For the third time, singer Chan Marshall (a.k.a. Cat Power) […]
- by Greg Cahill
- Jul 19th, 2022

John Mellencamp: Strictly a One-Eyed Jack
Somewhere around the turn of the century, upstart Midwestern singer/songwriter […]
- by Mike Mettler
- Jul 08th, 2022

Morphine: Cure for Pain
When the core instrumentation for a band consists of drums, […]
- by Jeff Wilson
- Jul 05th, 2022

Radiohead’s Kid A Mnesia
Radiohead’s Kid A Mnesia is a compendium of two of […]
- by Alan Taffel
- Jun 24th, 2022